The Detroit Opera has announced plans to bring a production of the Pulitzer Prize-winning opera "The Central Park Five" to its 2025 lineup. This opera tells the story of five Black and Latino teens who were wrongly imprisoned for a 1989 rape and beating in New York’s Central Park. The production prominently features Donald Trump as a real estate showman calling for the death penalty.
Commitment to Diversity
Booking this production reflects the opera’s commitment to adding diverse and contemporary stories to its repertoire. Sharon, a representative of the opera, stated:
"As soon as the election happened last November, we did think to ourselves, how can we best prepare our audience and prepare our community to know what they’re about to see when they come to the Detroit opera?"
To prepare patrons for this sensitive topic, the opera will provide warnings outside before each performance. Additionally, an introduction will be given before each show explaining:
- Why "Central Park Five" was written
- Who it is about
- What it means today
- Why it matters now
Background of the Production
"The Central Park Five" debuted at Michigan State University College of Music Theatre Department’s Wharton Center for Performing Arts in 2019 and won its first Pulitzer Prize award two years later. The production has also been performed at:
- Portland Opera House in Oregon
- Long Beach Symphony Association in California
Themes and Controversies
At its heart, the opera explores the events leading up to the arrests, convictions, and imprisonments of:
- Yusef Salaam
- Antron McCray
- Kevin Richardson
- Raymond Santana
- Korey Wise
The teens’ confessions were coerced by police, and the narrative embodies the damage caused by racist beliefs about crime perpetrated by youths of color. Trump’s rhetoric added fuel to the fire, as he took out full-page ads in New York newspapers stating:
"I want to hate these muggers and murderers. They should suffer, killed, executed for their crimes."
Composer Anthony Davis noted that Trump’s words were used directly in the libretto:
"We didn’t make it more critical or less critical. What they did in this piece took Trump’s own words and set them to music. Ninety-five percent of the libretto is directly from the language used."
Community Response
People associated with the production report experiencing no significant backlash. However, some in the arts community have moved forward with performances as a sign of resistance, mirroring artists and productions backing out of performances at the Kennedy Center in protest.
Nathan Granner, who portrayed Korey Wise since the launch, expressed concerns during performances about potential violence:
"Is somebody going to shoot the building? They did very well hiring extra security. I always felt safe."
With performances completed, there are questions about whether this approach to the arts will shape audience interest and reactions to productions that don’t fit the current political climate. Granner stated:
"With the way the political climate is, I don’t really foresee another performance of ‘Central Park Five’ in the next few years. If the opportunity arises, I would reprise the role of Wise."

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